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This witty and accessible book traces the history of Arthurian romance from medieval to modern times, explaining its enduring appeal. Traces the history of Arthurian romance from medieval to modern times. Covers art and films as well as the great literary works of Arthurian romance.

Arthurian Romance: A Short Introduction

Draws out the changing political, moral and emotional uses of the story. Explains the enduring appeal of the Arthurian legend. Written by an author with vast knowledge of medieval literature. Pikaohjeet lainaamiseen. Lainaaminen iPhoneen tai iPadiin: Lue e-kirjaa verkossa 1. Five stars because this was exactly what I was looking for, a brief but well informed overview of the Arthurian tradition from Geoffrey of Monmouth to T.

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Unusually for an academic, Pearsall is not afraid to express his own assessment of the literary value of each text, although this comes across almost too bluntly at times - we are never left in any doubt of his love for the Gawain-poet or disdain for T. If the reader is happy to put aside opinion and generalisation, however, Five stars because this was exactly what I was looking for, a brief but well informed overview of the Arthurian tradition from Geoffrey of Monmouth to T.


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If the reader is happy to put aside opinion and generalisation, however, this is a witty, sardonic book that does not ignore the humour of medieval texts or pathos of the modern. It doesn't quite achieve what it sets out to in the preface; 'to show how the story has been the embodiment at different times of chivalric idealism, patriotic nationalism, spiritual aspiration, the idealisation of romantic sexual love An excellent starting point from which to explore the Arthurian tradition.

Oct 12, Ty Partridge rated it really liked it. May 27, Robert Vigliotti rated it really liked it Shelves: myth-and-religion. Insightful and surprisingly lively.

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There are no discussion topics on this book yet. About Derek Pearsall. Derek Pearsall. Derek Pearsall b. He earned a B.

The Historical or Pre-Literary Arthur.

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Arthurian Romance

Aside from reflecting their cultural and historical context, the romances are compelling stories that engage audiences. Lancelot , with its conflicted hero, receives special attention because it "was to have a stronger influence on later Arthurian romance" Gottfried von Strassburg's Tristan is treated separately from the other German romances and is given the fullest development nine pages of any work up to this point.

Arthurian Romance: A Short Introduction | Ellibs Library

Pearsall believes that " Tristan is one of the great poems of the Middle Ages" and is crafted with irony, insight, and "panache" In the other, influenced by French literature, the knights and their martial and amorous adventures are foregrounded. In The Alliterative Morte Arthure , which is more in the tradition of epic than romance, Pearsall acknowledges that the Wheel of Fortune motif is dominant, but he does not perceive Arthur as a pawn or victim of fate; instead, he is a "tragic figure"' who takes charge of his situation.


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Reviewing The Stanzaic Morte Arthur , Pearsall observes that " the impact of tragedy is softened into pathos, and deflected into piety" This is probably because its source was the Vulgate Mort Artu in which the Arthurian survivors seek the religious life after the failure of secular ideals. The Sir Gawain and the Green Knight section summarizes the plot and investigates Gawain's character, particularly in regard to his reaction to shame, which "he shows a capacity for bearing Pearsall judges that SGGK is "a great poem" 81 that is developed with humor, psychological depth, drama, and vivid verse.

After Caxton is briefly addressed, Pearsall gives a concise overview of each book of the Morte according to the Winchester divisions, with the corresponding Caxton books noted. Then Pearsall identifies historical connections between Malory's era and the Morte. He sees as "the dominant impression of the work Pearsall believes that Lancelot, who is "an exemplar of chivalric idealism" , is central to the Morte and discusses this under the subheading "The Tragedy of Lancelot. Nineteenth century medievalism inspired a tournament in Eglinton, England in Initially, it was "rained out," disappointing a crowd of , However, it was rescheduled successfully for the following week.

Matter of Britain

The sport was not revived, but literature and art that evoked the Middle Ages flourished. Sir Walter Scott wrote several works set in the medieval era, including his only Arthurian poem, The Bridal of Triermain. The major Arthurian work of the nineteenth century was Alfred Lord Tennyson's Idylls of the King , which was published in stages as Tennyson became more preoccupied with Arthurian legend. In the Idylls , Arthur is depicted as noble, whereas women's sexuality is seen as destructive.